We were driving to visit the in-laws this weekend when an image and a phrase popped into my head. The image was of the small patio/seating area we had recently completed at the Memorial Garden. The phrase, Not Afraid of Curves.
I have constructed things all my life. I have early memories of helping my father build a carport, a cabin/“fort,” fencing for our pony pasture. Mostly, the things we built then, and the things I have built since, were rectilinear. Straight lines and right angles. Sure, there is the occasional deviation from 90 degrees, roof slopes being an obvious example. But always for a good, practical reason.
Nancy and I build things, too. In fact, on one of our earliest dates, she informed me we’d be assembling a shelf—a simple shelf, it turned out— to sit on her desk. Early as it was in our courtship, I already knew her well enough to recognize that exercise as a deliberate test of our compatibility.
But building with Nancy often throws curves (pun intended) at my native practicality. She will introduce an angle or a curve, for aesthetic reasons, where practicality and efficiency would be be content with a straight line. Our mudroom is an example.
The addition to our house that we built early in our marriage included a long room that was mostly Nancy’s studio but also, at one end, the primary family entrance. Each time that outer door was opened in winter, an arctic blast cooled her whole studio. We needed a wall to subdivide the space into studio and mudroom. But the dividing wall was problematic as the existing doors and windows precluded a normal, straight wall. So the wall we built has three segments. It leaves the room’s sidewall at a right angle, then jogs to the left at 30 degrees, then returns to the original heading before contacting the opposite wall in another right angle. The doorway is a wide opening in the angle section, with French doors. We were to finish off the mudroom with ceramic tile on the floor. Then, Nancy threw in the kicker: “You know, of course, that the tile have to be laid on the angle.” Of course. Mutter. Mutter.
It turned out to be only a slight inconvenience. Ten minutes to make a simple jig for the wet saw we would have rented anyway, and cutting triangular edge pieces was as simple as the rectangular ones would have been.
Don’t get me wrong. Our joint building projects are collaborative affairs, and Nancy is open to the arguments of practicality. The retaining wall at left is an example. Nancy wanted a curve in the wall, and I wanted to use the existing rectangular brick floor as the foundation. My suggestion for the built-in bench satisfied both criteria.
I could give many other examples of things we have built over the past 25 years into which, by intention, some curve or angle violates the grid work of my engineering mind for the sake of aesthetics. And I expect that it would be true in each instance that there was a point in the planning or execution when I rebelled at the impracticality and the extra work involved, and had to be convinced that the outcome would be worth the extra effort.
Reflecting back on where we started, with an image and a phrase appearing simultaneously and unbidden, I realize that on this latest project, I did not have to be led down the aesthetic path, but followed it willingly, even eagerly. The site dictated the curves, and the fact that our floor was to be of rectangular elements (brick pavers) was not an impediment. Of course we would rent another wet saw and cut the bricks as needed. Of course.
It seems like a growth step.