Why? Why, when I do not feel old (69 is middle-aged, right?), why, then, was our hearing aids the topic of conversation among the guys I cooked breakfast with Sunday morning?
Age and aging has been on my mind. Nancy and I have been house-hunting. Our current house is a special place— light and airy and connected to nature. I have written about Nancy’s gardens and the frog pond just outside our picture window. (See the Tag Cloud in the right hand column of our web page.) As I write, I am watching hummingbirds and goldfinches in a front yard shaded by a magnificent black cherry and a somewhat lesser black gum. Our small patch of suburbia is a riot of late summer bloom—coreopsis and zinnia and Black-eyed Susan and coneflower and crape myrtle and four-o’clocks and hydrangea. Our “back yard” is actually “The Woods,” a small forest of Appalachian cove hardwoods.
But—and it is a major “but”—we have been struggling for some time with how to make Nancy’s painting studio and my workshop more functional. So far, all our ideas involve major contortions that only take us part way towards a solution. So, we thought we should look around.
Someone asked if we were downsizing. “At our age,” that would make sense. We are certainly factoring into our decision-making the capability of living on one level (not an option in our current tri-level), and we are actively shedding possessions. But downsizing the inhabitable number of square feet is not a primary concern. A larger studio and shop might actually result in upsizing.
During all this deliberation, I have kept coming back to the question, does this make sense? And the undercurrent of the question is its continuation—does this make sense “at our age?” [Re “our age,” I am, as I said, 69. Nancy is … younger.]
OnBeing recently broadcast Krista Tippett’s interview with Mary Catherine Bateson, daughter of Margaret Mead and Gregory Bateson and author of Composing a Life and the more recent Composing a Further Life: the Age of Active Wisdom. Two ideas I heard in the interview resonate with these deliberations. First, “at our age,” many of us can still look forward to an extended period of active life. Second, Bateson describes those who compose their lives as participant-observers—observing but at the same time fully present.
The term, participant-observer, strikes a chord with both of us. Much of Nancy’s graduate studies involved participatory action research, combining intentionality and reflection. For me, he term calls up Richard Rohr’s call to action and contemplation, emphasis on the “and.” It reminds me, too, that in walking a labyrinth, we go inward, but then we come out again. To be deeply observant and open while at the same time actively engaged—that is how I hope to live out my life. And that brings me back to our shop and studio. To honor the deep joy we feel when gardening or painting or crafting or building—to honor that joy by paying it due attention and by spending ourselves in its service—makes sense, even at our age.
I am reminded of a passage I recently read in Barbara Kingsolver’s Animal Dreams.
(Aside: Kingsolver is one of my three favorite novelists; the other two are Ann Patchett and Isabel Allende. I have concluded that I could never be a book critic, because I cannot tell you why I respond powerfully to a given passage. But my experience on re-reading Animal Dreams—actually a common experience with any book I like—brings to mind a road trip we once took. We were driving US 26 east through the Wind River Range in Wyoming. On rounding a curve and catching a view of cliffs ahead, an involuntary, Oh!, rose from my diaphragm. But even as the Oh! was forming, the curve continued, exposing more of the spectacular view, and more, and more. And my Oh! came out as a long undulating O…o…o…oh! So with this book.)
In the book, Hallie, volunteering in Nicaragua as an agricultural pest consultant during that country’s civil war, admonishes Codi, her sister back in the States, to not put her (Hallie) on a pedestal, and to let go her (Codi’s) fear of loving and losing. “Wars and elections are both too big and too small to matter in the long run. The daily work—that goes on, it adds up. … I can’t tell you how good it feels. I wish you knew. … I wish you knew how to squander yourself.”
Remember parable of the man who built more barns to store his abundant harvest? At our age, at any age, to hoard may be a greater sin than to spend, even squander, the gifts we are given.
Update. We found a house we like, with lots of potential for shop and studio and gardening and observing the natural world. Nancy will miss her frog pond, and the topography of new place will make creating another so close to the viewing window a challenge. But there is potential for a wetland in the distance and a vegetable garden.
Sure, it’s a risk. But later in the week, from an essay by Natalie Goldberg (“A Student Again,” in The Great Spring), I read, “I don’t want to die. … But death will find me … Then this single thought: Give everything while you can.”