The Questions

For much of my adult life, I have been trying to figure out what I want to be “when I grow up.” Some are born knowing the answer to that question, develop a plan for achieving it, and follow the plan. For the rest of us, there is a whole self-help industry. I once had a small bookshelf devoted to the topic.

I have explored the color of my parachute; chronicled and charted successes and failures, likes and dislikes, aptitudes and attitudes; and, at one time or another, laid claim to a third of the Myers-Briggs types. Several career changes and two retirements later, I’ve come no closer to the answer than Zen-like koans to the effect that the journey itself is the destination.

But I am still a fan of the genre, particularly the underlying principle that we are born with a true self and a true purpose, and that our search for career—for vocation—is a sacred journey back to the God-given calling we have somehow lost. If I am doing “the work you have given us to do” (Book of Common Prayer, p 366), I will be energized by that work. If instead, I am dragged down by what fills my waking hours, perhaps it is not my work to do. The work may be valuable, even essential, but not mine.

Where I might differ with the find-your-true-career gurus is in the implicit assumption that a calling once found is mine for all time. That I have spent so much time in search does not mean I’ve never found the deep energizing satisfaction of knowing why I am here and what I am called to do. I have, a number of times and for extended periods. But not forever. There will be no neat summary on my tombstone.

One of the favored exercises in the self-help toolkit is to look to our earliest childhood memories—to what engaged our energies and imaginations—and to seek there the seeds of the calling we were born to. At this exercise, I am a total failure. Nancy can remember the dress she wore to her fifth birthday party. I can barely remember being a child.

I was reminded of this exercise when I encountered Courtney Martin’s March 10 On Being blog post entitled, “What Was Your First Question?” As you might expect from the title, her approach asks what the child found troubling and has spent a lifetime trying to explore or resolve. Beginning with how the San Francisco earthquake of 1906 shaped the life and work of Dorothy Day, she writes of other famous people whose early experiences led them to a life’s work devoted to questioning the status quo and healing its wounds. She then recounts her personal slow realization of a unifying thread in her own life and work.

So far, at least, I am as much a failure at this exercise as at the earlier ones. I have not found the unifying thread in my own life, nor guidance for the future. But it is an intriguing question on which I’ll continue to gnaw.

Parker Palmer, another On Being blogger, asks a different question, one more relevant to me at this stage of my life. His February 22 post, “Withering Into the Truth,” is a reflection on aging as he approaches his 78th birthday. I am less than a decade behind him, and musing about similar issues.

First, he redirects my thoughts from past to present. Quoting from his own poem, “Harrowing,” he says

I plowed to unearth last year’s reasons—
The farmer plows to plant a greening season.

Looking back is valuable, to a point. But there comes a time when plowing up the past is no longer productive, and it is time to look forward and plant something new.

Then, apropos of my own struggles with too much stuff, he rephrases the question about what to let go of and what to hang on to, replacing “hang on to” with “give myself to.” He writes, “The desire to “hang on” comes from a sense of scarcity and fear. The desire to “give myself” comes from a sense of abundance and generosity.” It seems a critical distinction, whether addressing the tools and wood scraps in my shop or the non-physical baggage of my life. And it is reminiscent of the adage of an unclutter-your-life guru that Nancy has been reading: Does it spark joy? If not, throw it out.

Back to Palmer and this particularly rich post. He claims the most important sentence he ever wrote was the single word, “Enough.” To say “enough” is to reject more. At first, I thought Palmer meant rejecting the unnecessary and unimportant tasks and burdens and detritus we allow ourselves to be weighed down by. Perhaps. But he is also saying “enough” to what is wrong in the world. “Enough” to hatred and prejudice and selfishness and exclusion, to cruelty and injustice. To say “enough” in the face of evil is not to walk away from it, but to face it with a resounding “this far and no farther.” To say “no” sometimes requires us to take on a countervailing “yes.”

This, too, I struggle with. What am I called to give myself to? In what way am I called to “show an affirming flame?” I’m still seeking the answers. And I’m grateful to Martin and Palmer and, yes, to Auden, for raising and re-phrasing the questions.

Adventures in Shop-ing

Part I—Inspiration

I was in my shop the other day, sorting through screwdrivers and drill bits, when Canadian singer-songwriter, Fred Eaglesmith, came to mind. In one of his opening monologs, he describes a bored man, home alone while the rest of the family is out, who resorts to visiting his shop to do a “finishing nail inventory [and] check out the three-quarter inch screws, …”

I am not abandoned or bored. Rather, a combination of desperation, motivation, and inspiration drove me to an afternoon sorting drill bits.

For a long while, I must confess, I have been in a state of paralysis about the overcrowded and disorganized state of my shop, not knowing where to begin, and thus, doing nothing. Two breakthroughs have enabled me to start tackling the problem. First, Nancy helped me realize that clustering some powered tools in the center, in and around a multi-use table I will build, rather than spreading them around the perimeter, would make better use of my space. That gave me a new direction for imagining a workable layout.

Second, I sold my radial arm saw and have not yet brought its replacement miter saw into the shop. Remember those puzzles with eight sliding tiles arranged in a 3 by 3 pattern with one empty space? To arrange the tiles in order requires many successive moves; an adjacent tile is slid into the empty space, opening another empty space and another opportunity to move a tile. Now imagine that puzzle with all spaces filled. Gridlock. The empty space means opportunity. My shop with the radial arm saw was like a faulty puzzle with no empty spaces; without that saw, I have opportunity.

Having begun to address the overcrowding, I face the bigger problem of disorganization. Why do I have four #2 Phillips screwdrivers within arms’ reach of my workbench (not to mention a couple of #1s and three identical #00s), but frequently have to walk across the shop and behind my table saw to get a chisel or a hammer? Why do I have two nearly complete and rarely used sets of drill bits for a quarter-inch-hex-drive cluttering a toolbox in addition to the two sets I use—one at my workbench and the other in my traveling drill-driver bag? As I rearrange the large pieces, I have the chance to correct some of my sloppy placement of the smaller items.

As if to reinforce my newfound resolve to be deliberate about where I store my tools, a few days ago, I happened onto The Toolbox Book: A Craftsmans’ Guide to Tool Chests, Cabinets and Storage Systems, by Jim Tolpin. Filled with photos of beautifully-crafted wooden cases that woodworkers designed built to protect and organize the tools of their livelihoods, it inspires me to do more than bang a few nails into the wall when I re-organize my shop. My tools, too, deserve better. A place for everything and everything in its place.

Hence, the screwdriver and drill bit inventory. I am assessing just which tools I reach for most often and then designing a layout which places them in arms’ reach of my new workbench location. Redundant screwdrivers, drill bits, wrenches, and odd parts long separated from their original purpose are being sent to what Nancy calls “purgatory.” (Think both soft “g” and hard “g”—“purge” and “not-quite-hell.”) Some will go immediately to my sons who are building their own tool collections. Others will remain in “purgatory” for a while until I can assess whether I miss them, then be consigned to alternative second lives or trash/recycling.

Part II—Interlude

I took a side trip on the way home from visiting my mother. My mission—deliver some vintage Macintosh computers to a collector who is buying them from my father-in-law. While I was enroute, Nancy called me with the news that The Nitty Gritty Dirt Band was playing tonight at the Smoky Mountain Center for the Performing Arts in Franklin, NC, very near my destination. I’m stunned—a beautiful 1500-seat venue in Franklin, NC! Stunned—the Dirt Band in Franklin, NC! Stunned—the Band is 50 years old this year and still together!

The Performing Arts Center turns out to be a one-stop-shop for me. I park in the lot two hours before showtime, buy my ticket, eat at an adjacent restaurant, book a room at an adjacent hotel, and still have an hour to kill. I pass up the $25 “50 Years of Dirt” t-shirt.

It’s a full house. Almost all of us looking … well, looking 50 years older. We are treated to two non-stop hours of excellent showmanship.

Part III—Perspiration

My mother is in a nursing home, and we sold her house early last year. Later in the year, my in-laws decided to give up their large house and move to an apartment. So I have witnessed serious downsizing up close. Beside those experiences, purging my shop is nothing. I am letting go of a few extra tools and wood scraps; our parents are letting go, not only of stuff collected over a lifetime, but also activities that once, in part, defined them.

Nancy took on the task of bringing order to her parents’ new apartment. If my shop was a gridlocked 3 by 3 puzzle, that apartment, once the movers had done their work, was a gridlocked 33 by 33. To create the one empty space and begin to make progress, Nancy filled her mini-van and our spare room. Then she and her friend, Cathy, worked magic. Slowly, slowly. Yet another source of inspiration.

I have just begun my shop makeover, and I expect it to take a while. For one thing, I am still visualizing and will take it in stages. Also, I continue to use it during the makeover. I am in the middle of the first of two major projects I had confidently promised “before Christmas.” (Well, I did not specify a year!) This one involves curves, lots of curves. (See my earlier post, Not Afraid of Curves.) Six identical Trinity knots or triquetrae. (The singular is triquetra.) The project has included my first experience with a scroll saw, more use of a router than I have done in the previous decade, and painful re-learning of many pitfalls along the way. It has been two weeks of false starts, self-doubt, re-grouping and starting over.

Triquetrae

The second of the promised-before-Christmas projects is the re-build of the frame for Nancy’s xylophone. She continues to haul it to practices and concerts, and the existing frame is shaky. I cannot put this off much longer. And then there is the new fixture I have to build that will make the re-configured shop work—a combination outfeed table and miter saw base and (maybe) router table with built-in power wiring and dust control ducting. Both projects need much conceptual work and detailed planning before I begin to cut wood.

Nancy’s xylophone

Finally, there are the “honey-do’s.” Would you cut this shelf? Drill a hole here? Fix this lamp? It could be a long time before I get to that finishing nail inventory. But I’ll not be bored.