As I wrote the date in my journal, I appended, Feast of Stephen. That set me thinking about how far removed contemporary culture (myself included) is from the time when saints’ feast days were equated with calendar dates in ordinary vernacular. History and/or Shakespeare buffs will know that the Battle of Agincourt was fought on St. Crispin’s Day. But what time of year is that? The rabble in the Globe Theater knew. 

I am reading a book about the northern border of the U.S., which begins with a history of sixteenth century French exploration of North America. That led me to read up on the preceding forty years of religious wars in France, where I found a reference to the St. Bartholomew’s Day Massacre. St. Bartholomew’s Day? When is that? Sixteenth century Frenchmen knew. 

St. Swithun’s Day? Yes, he did exist, and there is a reason for the rhyme tying his feast day with a weather forecast. No, I am not going to tell you. Have your own fun looking it up. I will only divulge that the Feast of Stephen falls on December 26, which is also The Second Day of Christmas.

Of course, we have our own (almost) contemporary saint’s day massacre (St. Valentine’s). But aside from Valentine, and of course, St. Nick, what saint’s days take your mind immediately to a calendar date? St. Stephen is my limit.

Looking out on this Feast of Stephen, I did not see snow, deep and crisp and even. I did see a lake of fog in the valley below. That’s been a feature of the last few days. Below is a series of photos taken on Christmas Eve as day broke—the Cumberland Mountains stark against a clear sky with a lake of fog in the valley below. (Photos begin at 7:25 am and end at 8:29.)

It is too cold this time of year to do my journaling out on the deck, so that series of photos represents jumping up from my writing every few minutes to walk out onto the deck and capture the sight. I claim my journaling as my current contemplative practice. But sometimes I wonder. My entries often seem little more than making “to do” lists and “Dear Diary” reporting, more narcissism than contemplation. The saving grace is that the exercise forces me to pay attention, to be present. 

We bought this place in 2017 and spent the entire fall of that year on the initial round of renovations before moving in; 2018 was a year of trying to settle in and planning how to accomplish the other improvements we thought were needed; and 2019 has been the year of the contractor. Major sweeping changes to two bathrooms, removal of some scary trees overhanging the house and garage, reshaping the drainage around the uphill side of the house, construction of safer and more convenient exterior access to our downstairs. Enough! Our resolution for 2020 is “No more contractors!”

Both the tree removal and the drainage improvements sent Bobcats up and down the old logging road that is our principal access to our meadow. Now that steep pathway is a muddy mess, likely to stay that way well into spring. I am especially anxious to put a deep organic cover over the roots of a huge chestnut oak, to help it recover from the compaction of all the unaccustomed traffic. If it fell, it would likely take with it the whole 200-foot long row of big trees bordering the west edge of the meadow. I have a truckload of leaves at the top, and a similar pile of wood chips at the bottom. But the muddy steep slope is too much for The Goat. So I reverted to more primitive technology—raking the leaves onto an old bedsheet and lugging it on my back like Santa’s toy sack. Later I hope to do the same with the wood chips, although that will be an uphill slog.

2019 ends—and 2020 will begin—with a big push to get our studio, shop, and garage sorted for future creative endeavors. Construction leftovers and an excess of “that might be useful for shelving (or storage or…” have all these spaces overcrowded to the point of gridlock. We have goals:

• Nancy’s studio table art-ready, not cluttered with sheet music and bins of miscellania to be sorted 
• My shop cleared of unusable wood scraps, with dreamed-of work stations functioning 
• The music end of the studio free of intruding leftovers so that we can walk in, pick up mallets, and play.

These last few days of clear skies and warm temperatures have me wanting to play in the woods. There is easily a couple of weeks of tempting tasks calling me out there, and I will heed some of the calls. But cold and wet days will return, and we will continue to tackle the studio and shop. It looks to be a very good year.